Painting
Anti-Party Machine
反派对机
2019
1200 x 1200 x 90 cm
Material: Timber, balloons, electric pumps, resin, silicone
材料:木材,气球,电气泵,树脂,硅胶
A mantra for our times,
Southbank News
National Gallery of Victoria Women’s Association Award, National Gallery of Victoria
BALLOON EVENTS
It stuck,
It encountered wind,
It blew,
It launched (or jumped, bounced, travelled, killed, individuated, disappeared, whatever).
Anti-Party Machine is an interactive work based on the theory of catastrophe. The pattern of catastrophe can be viewed as the Möbius band, it indicates the ongoing loop of history, and the unity of opposites for contradiction. In this theory, catastrophe takes place when series of human activity accumulates and reached the tipping point. These activities are seemingly irrelevant but contributes to the same result.
Balloons unexpectedly growing and shrinking causes the accumulation of tension. With the fear of exploding balloons, viewers are constantly experiencing insecurity and security. “When is the balloon going to pop?” is the same question as “when are the nuclear weapons going to be used” or “when is mother earth stop taking rubbishes”, people’s expectations are being played.
反派对机是一件基于灾难理论的互动型的装置。从历史与理论的角度来看,灾难发生 的模式可以被看作是莫比乌斯环,它预示着历史的循环往复以及其中矛盾的对立与统 一。在这个理论里,灾难的形成是因为长期以来一连串的人类活动堆积,最终到达临 界点而爆发,这些活动虽然看似毫不相关,却实则促成了同一个结果。
气球的膨胀与收缩在现场给观众带来戏剧性的紧张氛围。当害怕气球爆炸时,观众持 续地经历着不安全感:“气球到底什么时候爆炸呢?” 这个问题某程度上等同于“核武器 什么时候会被使用?”或“地球母亲什么时候再也受不了这么多垃圾”。人们经历着跳跃 的不安。但还好,这件作品里再糟糕的结果也只是气球爆炸罢了。
© Cen Yunyang






